Tag: INTRODUCTION
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Chapter IV – Soundography
A Spacetime Mapping Experiment Introduction If a lily’s petals fall in a room and no one is around to hear, does it make a sound? I suppose I could engage with this paraphrased question, this Berkeleyan notion, as a starting point for this fourth and last chapter of the current investigation into perception, which is…
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Sascia Pellegrini
Sense Amplification: a Phenomenology of Time This research consists of first-hand experiments designed to call attention to, inspect, and elaborate on questions related to perception of the various species of time (mechanical, integral, physical, psychological, cyclical); space (as a field of human perception); and the human body (as a sensuous temporal object). Using my own…
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Chapter III – The Sands of Time
An Experiment in Temporal Intertextuality A main source of our failure to understand is that we don’t have an overview of the use of our words. – Our grammar is deficient in surveyability. A surveyable representation produces precisely that kind of understanding which consists in ‘seeing connections’. Hence the importance of finding and inventing intermediate links.…
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Chapter I – Film
Introduction The duration of sensation and the sensation of duration are different. And it is the same with sensation. The succession of sensations and the sensation of succession are not the same. (Husserl, p. 31) A table is set up: on the table’s surface a coaster, a saucer, with a coffee cup on top of…
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Chapter II – Time in Dance
Skins: an experiment with ‘Ma’ (間), temporal inbetweens, and Hijikata’s ankoku butō 1 – Skins: an Introduction A body is contained within a plastic and paper skin, that is contained within four walls of a room, that is contained within a building, in a city, a country, a continent, on tectonic plates, on the planet,…